So, let me just put this out there:
I flippin’ hate Lord of the Rings.
I subscribe to the Randal Graves’ school of thought when it comes to the books and the movies. It’s just too much walking and too much… nothing. And I don’t care about elves to boot. And until I read (and watched) Game of Thrones, I didn’t care much for dragons either. They never seemed like the bad-ass creatures they were supposed to be.
Enter Game of Thrones and one of the best passages I’ve read in a book lately. If you’re not familiar with the story, it’s a multi-POV extravaganza of swords, wolves, mythos and seemingly lots of people with purple (violet) eyes. I admit, I fell in love with the show before I even knew there were books, and I finished the first season before I was too far into the book. One of my favorite characters, in both the book and the television show, is Tyrion. He’s a brilliant character and chapter 13 is written from his POV.
(Spoiler alert…)
In the chapter, he heads off from camp with a book on dragons, and the readers are treated to a brief passage from the book he’s reading. The passage describes a battle between two long-warring sides. On one side, there are thousands of men. On the other, only a handful by comparison. The battle starts and the smallest side just flees. A minute later, the king and his sisters enter the battlefield astride three massive dragons that burn the field clean of the larger army. The king takes the realm and so on and so forth.
And, quite simply, I had the chills. I’ve dragged myself through most of the LoTR books (except The Hobbit, which I rather liked,) and though I’m struggling to get through Game of Thrones due to time constraints, when I do find the time to read, I’m enthralled. The description is just right and the pacing is perfect and there’s a great blend of action and conversation. Throw in some embedded media about bad-ass dragons and I’m sold.
George R.R. Martin has been called the Tolkein of his generation, but as a writer, I’m a little bothered by that. To me, Tolkein’s books just… aren’t interesting. And I know! That’s sacrilege! But I don’t care. Martin’s books are lively page-turners that translate beautifully to television. As a writer, I feel like I can learn a lot from Martin’s books about how to find the right mix of elements. It’s an adventure, yes, it’s high fantasy, yes, but it lacks that dragging feeling that so many other high fantasy novels seem to suffer from. I’m willing to grant–in all fairness–that this may not hold true through the next four books, but so far, I just want to find the time to read more.